A sustainable luxury resort in a desert?? Sounds like an oxymoron, doesn’t it? But, Jaisalmer is home to luxurious palaces, and has exemplary urban design, which are well adapted to the harsh climate without reliance on air-conditioning and water for its cooling needs.
With such time-proven sustainable design strategies at hand and modern technology, the proposed resort design set out to achieve these seemingly disparate goals.
What makes sustainable design in the desert particularly challenging is that –
– The sun and heat, plentiful in the desert, have to be kept out.
– Cooling elements such as trees and water are in short supply.
But the city of Jaisalmer, has dispelled the notion that an abundant supply of water and vegetation is necessary to create a vibrant, beautiful and – the now trendy phrase – sustainable design.
When Jaisal Singh built his new capital city, Jaisalmer, in 1156 A.D. on the western fringes of India’s Thar desert, he did not think of damming and diverting rivers to sustain his home and his people, as we do now, to feed our golf fixes and desert farmlands.
Instead, the city, and the proposed design use elements such as
– thick masonry walls
– narrow streets
– assymmetric volumes
– contiguous low-rise courtyard dwellings
– cantilevered building floors
(elements also used in the proposed design along with –
to perform the double duty of creating a dynamic built-scape along with achieving a milder micro-climate within the walled city, and proposed design complex, and cooler and relatively stable temperatures inside the buildings, by incorporating-
In addition to incorporating existing passive cooling strategies, the proposed design re-interpreted the city, as a cluster of air-conditioned guest blocks on the north east ridge of the site, and Jaisalmer’s surrounding adobe villages of Sam, as an earth-sheltered “village” of non-air-conditioned guest rooms. Placing the public services in between the “city” and the “village” of the resort facilitates access, transition and operation.
PASSIVE COOLING STRATEGIES:
Thick masonry walls of local sandstone in the lower floors were built as security devices in Jaisalmer, but they also reduce conductive heat gain by delaying the transfer of heat from the outside to the inside. Heavy materials such as water, adobe, stone, and concrete take much longer to heat up and keeps the interior surfaces cooler for a much longer time than lighter materials such as wood. This phenomenon is known as thermal lag. The principle of thermal lag works differently from insulation, which reduces the heat conducted instantaneously to the interior surface due to temperature differentials between the inside and the outside, in that it actually creates a time delay in transferring heat from the outside to the inside. The extent of the time delay depends on the heat capacity and thickness of the material.
In Jaisalmer, the thickness of the walls (up to 4’ in some places) along with the heat capacity of the local sandstone, delay the heat transfer to the inside by 8-12 hours, so that the low night-time temperatures reach the internal surfaces around the middle of the day, cooling the inside air down.
Thick masonry walls of local sandstone in the lower floors also aid in keeping the building interiors cool by damping the diurnal range of temperature. The degree by which the material dampens the diurnal swing is called the decrement factor. In Jaisalmer, the masonry walls dampen the external temperature extremes of over 43 deg C during the day and near freezing at night, to a reasonably steady internal temperature, with little variation between day and night time temperatures.
In the proposed design, the air-conditioned guest rooms have stone masonry combined with insulation to reduce thermal load on the air-conditioning systems, while the non – air conditioned rooms are made of thick walls of rammed earth and are partially earth-bermed to take advantage of the earth’s thermal mass and transfer its stable temperatures to the interior of the guest rooms.
One of the obvious steps to minimizing direct solar heat gain is shade, shade, shade and more shade. This is achieved by creating a seemingly erratic mix of solids, voids (courtyards), and overhangs, which creates self-shading along with a dynamic cityscape.
At the building level in Jaisalmer, and the proposed design, the built volume gets progressively lighter from the ground up. Unlike the lower floors, which have thicker walls for thermal lag and are completely shaded by the upper cantilevers, the indented and intricately carved stone facade is a clever adaptation to create a finned surface that reduces direct solar heat gain by creating pockets of self-shade for cooling, while losing heat from the entire surface at night, causing a net increase in the relative surface area for heat-loss over heat gain.
At night, ventilation is the primary mode for heat loss.
Air movement is just as necessary as cooling to achieve thermal comfort, in extremely hot places such as Jaisalmer. Ventilation extends what is called the thermal comfort range, by increasing the rate if evaporation from the skin, and heat removal through convective heat transfer from the building.
Pressure differentials created between completely shaded and partially shades open spaces in Jaisalmer and the proposed design, induce air currents – through the courtyards, buildings and streets. At the building level, courtyards, wind pavilions and the intricately carved fenestration screens induce air movement while filtering the sand particles out.
In addition, the curved top of the wind-shaft in the proposed design creates a low pressure zone that draws warm air out of the room while drawing in cooler air from the shaded courts.
All the non-air-conditioned rooms were earth-sheltered and ventilated through wind scoops, whose slanted opening is designed to capture the desert winds, and the wetted charcoal mesh filters and cools the wind, before it enters the earth-sheltered room. The warm air of the outside assists in drawing the cool air out of the room through ventilators placed high above the room.
The landscape uses a small water channel to unify the space and cool the air before it is drawn into the system of courts, a drip irrigation system and native plantation, to conserve water, and provide some relief from the hot desert sun.